performance
The Ritual of Release (3/26/2025)
The Incognitos: Stories from the Frontline (3/19/2025)
We Are the Media (3/5/2025)
The Metadesigner (4/6/2023)
Migration to the Third Space (3/10/2020)
Temporary Monuments from the Impermanent Cold (2/25/2020)
We the People ARE the Culture (2/19/2020)
Artists Reshaping the Dominant Narrative (1/26/2020)
The Cinematic Spectacle of the Impeachment Saga (1/19/2020)
The Deadly SHOW (8/6/2019)
The Greatest Show on Earth for the Post Reality (2/27/2019)
Theater is a State of Constant Emergency (2/16/2019)
A Manifesto for the Underground Studio Bunker (7/15/2018)
The Art of TRUMP L’oeil (8/12/2017)
The Broadcast as Social Act (6/25/2017)
The Laboratory of Networked Behavior (5/14/2017)
You’re Fired! (5/12/2017)
The TRUMP Simulation Effect (4/16/2017)
A History of Optimism for Dark Times (2/25/2017)
Requiem for Truth (1/14/2017)
A Case for Networked Teaching (11/20/2016)
Truth is Stranger Than Fiction (11/12/2016)
President TRUMP: Only in the Post Reality (11/9/2016)
Political Discourse and its Malcontents (11/4/2016)
The Naked Id of XTreme TRUMPology (9/26/2016)
The Deplorables (9/13/2016)
Internet Radio: Anywhere Anytime Anyone Anything (3/22/2016)
The Violence of Disinformation (3/15/2016)
Is TRUMP Real? (2/10/2016)
Third Space Network: Theatrical Roots (12/25/2015)
Transmission Never Sleeps (7/21/2015)
David Bowie, the Other Side of What Is (12/9/2014)
Between the Real and the Virtual (1/20/2014)
We Were Forever Changed that Day (11/23/2013)
Political Performance Art for the Post Reality (9/26/2013)
The Real History of Multimedia (9/16/2013)
The workflow of the totality of all things (9/12/2013)
The Body as Prop (4/21/2013)
Tilda Swinton Sleeping on the Job, Maybe (3/27/2013)
The Long, Lost Analogic Art of the Vertical Roll (2/26/2013)
OSS as 3rd space (12/14/2012)
CalArts @ 30,000 feet (11/10/2012)
Living publicly online (9/6/2012)
Life in America is a spectator sport (1/17/2011)