Reportage from the Aesthetic Edge

Randall Packer

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  • Welcome to the Metaverse (8/4/2022)
  • Life in the TRUMP Zone (8/10/2020)
  • Life in the Bunker in Times of Social Distancing (3/18/2020)
  • The Age of Innocence (8/18/2019)
  • The Most Dangerous Threat of all is the Post Real (5/20/2019)
  • The Dilemma of Art Making for Super-Participatory Phone Addiction (4/4/2019)
  • We Live Inside the Manifestations of Human Minds (10/19/2018)
  • The Intimacy of Maximalist Writing (10/15/2018)
  • Return to the Bunker (8/3/2018)
  • An Electronically Infused Moment of Rupture and Social Transformation in the 1960s (9/9/2017)
  • The Collapse of the Real and the Imaginary (2/19/2017)
  • The Naked Id of XTreme TRUMPology (9/26/2016)
  • Far Beyond the Suspension of Disbelief (5/26/2015)
  • It’s the Real Thing (5/19/2015)
  • A NetArtizens Reunion (4/11/2015)
  • Disruptive Technologies (9/6/2014)
  • A Dreamer who gets Lost in the Creation of his own World (12/3/2013)
  • Situating the Studio in the Open Source of no Constraints (6/2/2013)
  • Bursting the Bubble (5/19/2013)
  • Why I feel the need to situate myself under the lights (6/21/2011)
  • Living the movie is the movie (1/22/2011)
  • The total embrace of the image (1/12/2011)
  • It’s Over but it’s Really just Beginning (9/24/2010)
  • Artist as Mediator: The History of the US Department of Art & Technology (2000-2005) (7/11/2007)
  • The Museum of World Power (1/21/2007)
  • Where is the Hope? (7/25/2006)
  • The Dream is Over (7/14/2006)
  • The Resonant Nuances of Alienation (6/18/2006)
  • A Day in the Life (10/24/2005)
  • God Bless Our President… He Needs It (8/25/2005)
  • Omnipotent Fantasy (6/14/2005)

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Reportage from the Aesthetic Edge
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