Reportage from the Aesthetic Edge

Randall Packer

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Histories of Multimedia

  • Collapsing Six Feet of Separation (3/20/2020)
  • The Age of Innocence (8/18/2019)
  • We are Active Participants in the Videosphere (11/4/2017)
  • Video as Radical Software (9/16/2017)
  • An Electronically Infused Moment of Rupture and Social Transformation in the 1960s (9/9/2017)
  • Transmission to the People (9/1/2017)
  • Gene Youngblood and the Unfinished Communications Revolution (6/16/2017)
  • The Laboratory of Networked Behavior (5/14/2017)
  • A History of Optimism for Dark Times (2/25/2017)
  • Videofreex Chronicles #2: Make Your Own TV (7/18/2015)
  • Videofreex Chronicles #1: TV as Social Media (7/13/2015)
  • Fire, Death, Beauty & Bali (2/1/2015)
  • Exhibition as Stage (9/16/2014)
  • Disruptive Technologies (9/6/2014)
  • A Socially Revolutionary Metamedium (5/1/2014)
  • The Real History of Multimedia (9/16/2013)
  • Activating the Space (8/6/2013)
  • Drinking from the Source (5/30/2013)
  • Moon Traveling through Hyperreality (5/28/2013)
  • From the Abstract to the Real (5/25/2013)
  • Thoughts on Synaesthetic Cinema (5/23/2013)
  • The event as life itself (5/18/2013)
  • Anarchy of Pure Poetic Utterance (5/16/2013)
  • Return to the Source (5/8/2013)
  • Tilda Swinton Sleeping on the Job, Maybe (3/27/2013)
  • The Need for Radicalism (3/10/2013)
  • The Ghosted Presence of the Mediated Body (2/27/2013)
  • The Long, Lost Analogic Art of the Vertical Roll (2/26/2013)
  • The Enduring Presence of the Artist (2/25/2013)
  • The Indigenous Digital Native (2/22/2013)
  • The Violent Catharsis of Now (2/19/2013)
  • What Moves Us (7/1/2009)
  • The Artistic Struggle (6/29/2009)
  • A Season in Hell (1/15/2005)

Searching is Good

Reportage from the Aesthetic Edge
Randall Packer © 2022
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